Lope sin Pega: post-vanguard and subversive poetry

Abstract

This paper analyses the subversive poetry No se engañe nadie, no, Lope Sin Pega, compiled and introduced by Carlos Alberto Trujillo in the framework of post-vanguard literature. The book referred to uses the mask as a basic strategy, to intervene in the political fight against the Chilean dictatorship the clandestine situation of authorship and enunciation. The mask is used as an element of confusing identities to hide the empirical author and also the use of specific forms of transtextuality (parody, satire, allusions, intertexts) to refer to a country with its rights abolished between 1973 and 1988.